
Photo by The Cleveland Museum of Art on Unsplash
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Blood Flowers, 2003
–after Richard Hambleton (1952-2017)
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Red petal blooms
pining for the honeybee
succumb to their thorns
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Marlboro Man, 1983
–after Richard Hambleton (1952-2017)
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Marlboro Man grave
dances, counting his coins. True
Americana.
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Shooting Gallery
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Ten pretty Shadowmen—all in a row—
poised n preened ‘gainst a Superwhite sky,
grazin’ on gawks n dollars n red dot nibbles
n Franzia blush fizzes in rented crystal cups.
See how they duck
see how they cover
to the coolsexy superfly acid jazz groove—
out of sight, man
out of mind
out of time—
b’yond eyelines of the madding hungry
hunter pride
Wallets n checkbooks—locked-n-loaded—
holdin’ fast n ready,
beggin’ for release,
firin’
hard cash injections
tiny dick pr oj e c t i o n s
through the din of a museless
clueless neon frenzy:
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“Oh, the philosophy!”
“Oooo, the subtext!”
“My, won’t my coke dealer be green!”
“Bagged me a big one!”
“Whacha think the resale is?”
“Who’s the artist’s again?
“R—something…I think?”
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Ten pretty shadow heads
all on their own
hung ‘gainst the rub
of their ‘xposed-brick skies
dodgin’ dust
deflectin’ envy
waxin’ nostalgic
jonesin’ heavy
for the solace
of their lost
once upon a times
back to the days
before
the bougie oozie hype
after-hour come-ons
(Cum up n have a look)
and the mother fuckin’
tedium
of those C-Suite
braggadocios.
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Cat Stack, 2006
–after Richard Hambleton (1952-2017)
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Shadow Cat watches
you turn a page and pisses
on the next chapter
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mr. reeee
–for Richard
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Beautiful mind—
mired in shadow—
spouting
nocturnal philosophies
‘gainst walls
n canvas
n alleyway dumpsters
in splashes
o’ want
n venous sprays
of abstract topography.
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Genius
in a storage room—
Shadow Cat’s
fool—
warms
his hands
o’er a Sterno can…or two
readying
his fingers
for another
masterpiece
to barter for crumbs
n paint
n fixes
o’ hood rats’ baggies
o’ cheese.
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Art world deviant—
vandal o’ the streets—
hapless
hopeless
demon slave—
the only
crime
you committed
was not
giving up
the
ghost
$oon enough.
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“I Only Have Eyes for You” NYC, 1980
–after Richard Hambleton (1952-2017)
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two-dimension
ego projection—
a monochrome
manic reflection—
sentinels
tos n fros
of alley cats
n passers-by—
never speaking
constantly tweaking
in the thrall
of wide-eyed
opiate
scrutiny.
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Piercing gazes
lonely faces
catch
the eye
with
soul-fath’ming
artistry
pulling ‘em in
drawing ‘em close
into silent lulls
of concrete
soliloquy.
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Day in
day out
standing
waiting
watching
thinking
unblinking through
the acid rain
images
fade
into brick n mortar
an’ shadows
of piss-puddled alleyways.
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Connection sought
Connection lost
void
is all
that remains
as I retrace my steps
for a chat
an’ a smoke
only
to find
a ghost
ling’ring ’round
our fav’rite sticking place.
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Shadow Cat, 2004 II
–after Richard Hambleton (1952-2017)
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Nancy says, “Just say no”
With a Shadow Cat black tail
flick he purrs, “Kiss my ass!”
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Gang of Four, 2005
–after Richard Hambleton (1952-2017)
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A gang o’ four
peeks through
my windows—horsemen
look’n for
signs
o’ the apocalypse
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Blood Flowers, 2003 II
–after Richard Hambleton (1952-2017)
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Fatal blossoms in
the poison garden thirsty
for your red swirl nectar
languor pressed beneath
the looking glass playing their
shady peek-a-boo games
reaching for heaven
down in the dirt off’ring
drowsy kiss promises
for the sugar sweet
transubstantiation
of a quick blood honey sting
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Mr. Invisible
–after Richard Hambleton (1952-2017)
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Lurker
in shadow—
paintbrush
brandished
like a blade—
carve your
midnight mantras
‘cross sidewalks
an’ storefront
facades
in murder scene
fakeries—
your negative space
finery
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After the
OOOHS
and the
AAAHS
and feigned clutching
of pearls
I ask, “Why
the anonymous
genius?”
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With a paint-stained
hand, giving
his nose
a swipe
he says, “It’s all
just
illusion
in the end.”
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Shadow (The End of), 2005
–after Richard Hambleton (1952-2017)
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A beautiful mind.
Pounds of flesh
spent.
Fade away
now
into the light.
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